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S Elloit...containing poems which were not published before from his rough note book.I know only this much any information regarding this from the forum members will be helpful ,thank you,:)...He did this through his many influential essays on poetry, beginning with those in , and through the way he transformed the style of modern poetry.
Eliot as a thinker was profoundly interested in the role of literary tradition—the impact of earlier great writers on later ones. Eliot, Pound wrote, “has actually trained himself and modernized himself on his own.” Sometime in the period from 1908 through 1910, Eliot managed to create a new poetic style in English.
However, he himself in a sense started from scratch. During this time, he had been reading the French Symbolist poets, who had flourished in the last half of the nineteenth century. The kind of poetry that I needed, to teach me the use of my own voice, did not exist in English at all; it was only found in French.” The immediate result of this new style was “The Love Song of J. Modernism was an artistic movement that lasted, in American and English literature, from about 1900 to 1940, although most literature since that time continues to be heavily influenced by modernist techiques.
Poets were no longer able to join the intellect and the emotions to produce true masterworks.
These three ideas—the impersonal theory of poetry, the objective correlative, and the dissociation of sensibility—certainly changed the way American and British scholars studied poetry: Innovative critical schools, such as the American New Criticism of the late 1920’s and 1930’s, were the result, and university training in literature was also changed by these principles.
In 1925, busy working with the publishing house Faber and Faber he also continued to write many poems and essays. I don't quiet understand the link between this concept and Hamlet.
In 1927 he entered the Anglican church and became a British subject. A teacher of mine said that Shakespeare was brilliant at "juxtaposing the concrete and the abstract" like for instance when he uses " harrow" a term linked to the earth, to refer to an abstract notion " soul".
According to Eliot, the masterful poet, fully conscious of working within the tradition, is very much an instrument of the tradition; that is, he or she is in a way an impersonal medium for the common literary heritage.
In “Hamlet and His Problems,” Eliot introduced the theory of the “objective correlative,” the idea that the words of literature should correspond exactly with things and with emotions.
His early and experimental poetical works depict a bleak and barren soullessness, often in spare yet finely crafted modern verse; LET us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question … From the first line "April is the cruellest month.." to the last "Shantih shantih shantih" we can intuit the dramatic scope and evolution of Eliot's own life in the Biblical, cultural, historical, and literary references that helped shape one of the 20th century's most profound figures in literature. In 1914 he settled in England and worked as a schoolmaster and eventually met and became friends with many popular writers of the time including Ezra Pound. Eliot HI All, I recently reread the poem after many years, and noticed the following lines in a new light: The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep Its a sexual encounter.
Eliot (1888-1965), American-British poet and literary critic, author of Prufrock and Other Observations (1917) won numerous awards and honours in his lifetime, including the Nobel Prize for Literature in 1948. Joseph Conrad's Heart of Darkness comes to mind as Eliot innovatively rejects traditional Romantic ideals through allusion and symbolism.