Macbeth Character Essays

Macbeth Character Essays-63
Throughout the play Macbeth is both influenced and tricked by other characters into going against the principals and code that he initially held dear.

However the guilt and insecurity only continue to mount on Macbeth’s conscience which becomes clear as the madness begins to take over his mind.

Throughout the play Macbeth’s mental state grows increasingly worse as he murders more people in attempt to obtain and hold onto his throne.

It is clear that throughout the play, Macbeth becomes more and more accustom to killing to reach his goal, but his mind also begins to fail at the same rate.

Although Macbeth originally had control over his actions, he was also pushed and mislead by several outside forces who initially led him astray.

The witches greet Macbeth with “All hail, Macbeth, that shalt be King hereafter! After Macbeth receives the witches’ prophecy he begins to dwell on the idea of becoming the king of Scotland even after Banquo’s advice to avoid the evil temptations.

This is the first instance in which the reader sees a glimmer of dishonor in Macbeth, although he questions whether or not the title will simply fall to him or if he will have to perform a dark deed to acquire the throne.

He is born of no woman as, he was taken out from his mother’s womb in the pre-natal stage. He has a wife & children who are mercilessly murdered by Macbeth.

The Audience’s Perception of Macbeth As one reads the play Macbeth, by William Shakespeare, they could not fail to notice the evolution of the main character, Macbeth, and his tragic fall from a once proud man to the scourge of his kingdom.

Brought on by the immense guilt he feels for the murder of Duncan and Banquo, Macbeth is haunted by vivid hallucinations and paranoia.

The banquet scene in Act 3, Scene 4, in which Macbeth sees the ghost of Banquo sitting at the table, is a clear example of how his actions have weighed on his conscience, thus showing how Macbeth still feels a sense of morality, however small.


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