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She is head of the Guitar and Lute program at Pacific Lutheran University, has taught at Seattle Pacific University, and is on the faculty of the Accademia d'Amore (baroque opera workshop, Seattle).
In the Middle Ages, the co-existence of three, four and five string guitars was noted.
By the fifteenth century, the four-double strings instrument excelled in popularity.
He has been featured on recordings as a jazz soloist with big band, classical and early music chamber musician, solo guitarist in various styles, and writer and studio guitarist for independent pop artists and bands.
He has written, arranged, and performed a diverse range of music for solo guitar and mixed ensembles.
He has played in nightclub bands; jazz trios, combos, and big bands; and a wide variety of classical and early music ensembles.
He has been a featured guitarist-composer in new music festivals and a visiting concert artist and clinician at universities, colleges, and music societies throughout the West.
She has performed in operas by Purcell, Blow, Paisiello, Rossini and Verdi, as well as all of Monteverdi's surviving operatic works.
Elizabeth's first solo recording, La Folia de España: Dances for Guitar, features works for baroque, 19th century, and modern guitars, and has been praised for its "...apparently effortless ease." (Lute News, UK) She is also featured in the recording Dolce Desio as a member of the early music trio Le Nuove Musiche, and in the recording with Seattle Pro Musica.
In France, the guitar became the instrument of the nobility but the Spanish school of guitar making did not begin to flourish until the end of the eighteenth century.
Italians composers wrote a substantial number of works and, like the guitarists and even guitar makers, traveled widely.