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Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing.
Anna Akhmatova’s encounter with the revolution was more real than one could imagine.
She saw Petersburg change to Leningrad and her ‘city become a ghost’.
This article introduces these paradigms so that the future scholarly work might be done on innovative grounds.
The Paper is an attempt to locate the exact cultural locus of English poetry in Kashmiri society considering that the local newspapers and online magazines have mushroomed in the last few years since Bekaar Jamaat (Idle Company) emerged...
In this sense working on her again for this dissertation was a real challenge; because she herself says everything with such experiential reality that one dare not move anything from where she has placed it.
Faiz was discovered by accident, stumbling across his volumes of poetry in my father’s library.more The Paper is an attempt to locate the exact cultural locus of English poetry in Kashmiri society considering that the local newspapers and online magazines have mushroomed in the last few years since Bekaar Jamaat (Idle Company) emerged as a major hit on Facebook during the curfew of 2009.The paper argues that Kashmiri English Poetry needs a dismantling of old sensibilities and embrace fresh motifs and intertextual metaphors and images such that an authentic Kashmiri poetic discourse is formulated that is independent of the nostalgic diaspora tinted poetry of Agha Shahid Ali which is no longer suitable to Kashmiri sensibility.She saw the fallacy of Lenin’s rhetoric, the failure of hope.The October Revolution led to the arrest and persecution of her husband on charges of being a counter–revolutionary. After this first hand experience of revolution that so inspired Faiz, Akhmatova turns out bitter, churning pathos filled poetry.They speak of love, anger, silence, imprisonment, exile and much more simply because of the indelible effect that revolution had on their heart, soul and mind.It is this human experience that the two poets bring home, and it is the voice of the two that connects one to the other.My first encounter with Akhmatova was during a class on Twentieth Century Russian Literature where my final paper was based on the feminine spirit of that century.Although it included an analysis of Akhmatova, Tsataeva, and Nadezdha Mandlestam, it was Akhmatova’s works that left me spellbound even then.The poem/song is also titled "wa yabqa wajhu rabbik" translated as "only the face of your Lord will abide for eternity".There can be several meanings of "wajhu" or "the face of God" found within this poem from a social justice perspective; although exploring those meanings on its own can be a separate thesis."Farooqi, whose translation is a worthy addition to the tomes on Faiz's poetry in translation, writes that Faiz stood for the dignity of man, the holiness of pain, the constructive power of the word and the sanctity of individual belief."In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius.