Essay Frankenstein Monster

Essay Frankenstein Monster-19
Firstly, Shelley tries to create sympathy for the monster by describing his appearance in a unique yet horrific way: he’s ‘gigantic’; ‘about eight feet’; ‘deformed’; ‘black lips’ and lastly, ‘yellow skin scarcely covered the work of muscles and arteries beneath’.When you link these descriptions together, Shelley creates a vivid, unnatural image of the monster in the mind’s eye.

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This creates sympathy for the monster by making him abhorrent to typical humans.

Usually when someone is different in the society, they are pitied, oppressed or threatened by the majority.

Ignoring the superficial differences like appearance (Shelley’s original Frankenstein was a yellow, black-lipped brute compared to the commonly-referenced green-skinned, flat-headed “pop” monster), the differences between the two monsters can be broken down into the cause of their supposed villainy (the cause of the villainy of the novelistic monster is up for debate, the film monster not so much) and their treatment of people when society shuns them, ostracizing them from all companionship.

In Frankenstein, directed by James Whale, the creation of the monster varies wildly from its conception in the original novel. Henry (changed from the original Victor) Frankenstein’s assistant Fritz attempts to steal the brain of a knowledgeable scientist in order to implant it in the monster.

Instead of his work being beautiful, he says he’s a ‘filthy creation’, he’s ‘ugly’, ‘horrid’ and a ‘demonical corpse’.

Penalty And Racial Disparities Thesis - Essay Frankenstein Monster

This makes us sympathise for the monster because his father, his creator detests him.

If you are writing an essay on “Frankenstein” for the first time, then our “Frankenstein” essay topics will be a great help for you.

If you paid attention to our topics, you can get a perfect theme for your essay, or even research paper or term paper.

In the book, Victor Frankenstein uses similar methods to create the monster.

She was also influenced by the works of Samuel Taylor and Aaron Burr.


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