I make sure I pick another poem that helps me answer the question. So I’m going to use words like nihilistic and existence because they’re better than any alternative I’ve come across. So, I know I need to explore the poems and analyse the language and/or structure and/or form.
I make sure I pick another poem that helps me answer the question. So I’m going to use words like nihilistic and existence because they’re better than any alternative I’ve come across. So, I know I need to explore the poems and analyse the language and/or structure and/or form.Tags: Essays On Self DisciplineAraby Essay QuestionsBusiness Strategy Plan TemplateMany Sources 3500 Word EssayEntrepreneur Business Plan ProWrite An Essay In Which You Describe A Place You Love To VisitHow To Write A Research Paper ExampleBacon Essay Of Studies AnalysisThe Portrait Of A Lady Essay
In Come on, Come back Stevie Smith writes about ‘Vaudevue’, the ‘girl soldier’.
Using this persona is interesting and thought-provoking. Women often don’t fight on the front line, as this girl has, mainly because women are seen as not being able to cope with the front line and what they see. Either we all mourn his death or nobody does, because he is nameless.
Futility shows how war affects the living, how it makes them contemplate life, how it makes you question everything, particularly existence.
In Come on, Come back, we see how war devastates the mind, how it leaves people longing for peace and salvation, even if they can’t remember what it is they have done or seen.
Unsown fields remind Owen of the wasted potential of the dead soldier’s life.
He is reminded that nature is powerless and pointless against war.If it’s not that important in the poem, why am I including it? I need to compare analytically and compare ideas/themes/language/structure/form.This is my response: In Futility and Come on, Come back, we see the results of wars past and wars future.We’re instantly thrown into wondering if it’s acceptable for women to see such things, and if it isn’t, is it any better for men to see such things. In fact, Owen doesn’t even say that this man is a soldier, or even that he is dead. One is that he doesn’t even know who the soldier is – which shows us the absolute tragedy of war. The other thought is that by keeping the soldier anonymous, Owen is deliberately trying to show that he could be anyone.Not only this, but Smith calls her a ‘girl’ – something more fragile, more innocent than a man. Unlike ‘him’ in Futility, a soldier who could represent anybody, Vaudevue has a name and we see her actions. One makes us think that the dead soldier could be anybody. Both show the effect of war – one by using an anonymous man to show Owen’s own thoughts, therefore the effect on him personally. Both take one individual and show the consequences of conflict on them – and by seeing one person, we learn about the effects of war on the individual. The effects in both poems seem largely psychological.The line lengths and the way the lines fall, as well as the odd rhymes of ‘stone’ in the first stanza are also disjointed and fragmented.Thus we see how the poet uses rhythm and rhyme (or half-rhyme in Owen’s case) to create a sense of a fragmented, confused, disharmonious world.In Come on, Come back, Vaudevue comes to the same conclusion. ” and although the question is ostensibly about her memory loss, we sense something much deeper.Conflict has left both Vaudevue and Owen with a profound sense of pointlessness.Vaudevue, even without a memory, is so affected by her ‘black’ mind that she seeks comfort and protection from the water, which envelops her and protects her from the world, just as the lake did with Syrinx when she sought to escape from Pan. War has left her in need of comfort and solace – something she finds only in death.In contrast, in Futility, Owen is left in need of comfort and solace, though this is provoked by death which provides no comfort and solace at all.