Dance Critiques Essay

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The images repeat in rapid succession as the couple engages in a hyperbolic (clothed) sexual encounter. He removes a sheet from the line and begins to stuff it into her shirt to symbolize a pregnancy that metaphorizes the dreams of revolution gestated by 1970s youth.

The moment turns violent when Argento’s character restrains his partner.

The piece negotiates such repeated scenarios of political violence by juxtaposing corporeal behaviors with archival documents, in particular video documentation of war and mass public gatherings and text of political speeches.

Literalizing the notion of the personal as political, private experience in this piece is transmittable only through collective memory.

century Argentine history, in particular the last military dictatorship (1976-1983).

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The contributions of contemporary dance, however, have not figured prominently in discussions around how performance and embodied practice transmit traumatic cultural memory.

He disappears behind the sheets as images of post-war Europe flash across the curtains, displaying cities reduced to rubble.

She slowly begins to remove the sheets from the lines.

He begins to recite (Communication Number 1), the first message to the public following the coup that began the last military dictatorship in 1976.

Synonymous with the estimated 30,000 forcibly disappeared, tortured, and murdered citizens during this time, the military government coupled economic liberalization with a brutal campaign against the civilian population on the Cold War pretext of fighting “subversion.” As he recites, “Effective immediately, the country is declared under the operational control of the General Commanders of the Armed Forces,” Argento’s body twitches as if experiencing a mechanical malfunction.

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